Commentary Par XXV 73

See David (Davi.1993.1), pp. 441-44, on tëodia as a 'chant provenant de Dieu' (song deriving from God) and as being, sub rosa, a generic denominator of the poem.  But see Barolini's earlier (and fuller) exposition of this theme (Baro.1984.1), pp. 276-77.