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Commentary Inf III 52-57 |
Dante's essential technique for indicating the crucial
moral failures of his various groups of sinners is here before us
for the first time. The neutrals, who never took a side, are
portrayed as an organized crowd following a banner: exactly what
they were not in life (e.g., the neutral angels who neither
rebelled directly against God nor stood with Him, but who kept to
one side). And in this respect the neutrals are punished by
being forced to assume a pose antithetic to that which they
struck in life. At the same time, the banner that they follow is
the very essence of indeterminacy. Not only is there no
identifying sign on it, but is not held in the anchoring hand of
any standard-bearer; it is a parody of the standard that is
raised before a body of men who follow a leader. Elsewhere we
will encounter other such symbolic artifacts. In Dante's hell
the punishment of sin involves the application of opposites and
similarities. Here the sinners do the opposite of what they did
(form into an organized group) and the same (follow no fixed
purpose). This form of just retribution is what Dante will later
refer to as the contrapasso ([Inf. XXVIII. 142]).